HYPERMASCULINE CHRISTIAN NATIONALISM: “Killing Ragheads for Jesus” / Chris Hedges ☮

Chris Hedges“American Sniper” lionizes the most despicable aspects of U.S. society—the gun culture, the blind adoration of the military, the belief that we have an innate right as a “Christian” nation to exterminate the “lesser breeds” of the earth, a grotesque hypermasculinity that banishes compassion and pity, a denial of inconvenient facts and historical truth, and a belittling of critical thinking and artistic expression. Many Americans, especially white Americans trapped in a stagnant economy and a dysfunctional political system, yearn for the supposed moral renewal and rigid, militarized control the movie venerates. These passions, if realized, will extinguish what is left of our now-anemic open society.

There is no shortage of simpletons whose minds are warped by this belief system. We elected one of them, George W. Bush, as president. They populate the armed forces and the Christian right. They watch Fox News and believe it. They have little understanding or curiosity about the world outside their insular communities. They are proud of their ignorance and anti-intellectualism. They prefer drinking beer and watching football to reading a book. And when they get into power—they already control the Congress, the corporate world, most of the media and the war machine—their binary vision of good and evil and their myopic self-adulation cause severe trouble for their country. “American Sniper,” like the big-budget feature films pumped out in Germany during the Nazi era to exalt deformed values of militarism, racial self-glorification and state violence, is a piece of propaganda, a tawdry commercial for the crimes of empire. That it made a record-breaking $105.3 million over the Martin Luther King Jr. holiday long weekend is a symptom of the United States’ dark malaise.
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2 thoughts on “HYPERMASCULINE CHRISTIAN NATIONALISM: “Killing Ragheads for Jesus” / Chris Hedges ☮

  1. American Sniper is a fascinating sociological and cultural event in that it presents a concrete wartime situation that our two Americas essentially view as two different movies. Some of us see the brutal ignorance and fallout of an unchecked gun culture and military and its impact on people and families while others see bravery, patriotism, and a triumph over evil. It’s as if, like a 3-D movie, the audience could choose between two types of lenses. Americans are voting with their box office money and, so far, its a landslide for red-meat conservatism. By comparison, American Sniper is absolutely crushing “Selma” at the box office, a story of real people battling for human and civil rights; so boring. This is who we are with nothing on the horizon to suggest any change or hope for change.

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